(1566 - 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious involvement with the artist Caravaggio and his writings concerning the other Roman artists of his time. A pupil of Francesco Morelli, he worked mainly in Rome, initially with a late-Mannerist style. He was also nicknamed Il Sordo del Barozzo.   Related Paintings of Giovanni Baglione :. | Still Life | Nude woman drying herself | Almond tree in blossom | Jean Renior as a Hunter | Augustus und die Sibylle von Tibur |
Related Artists:
ALBOTTO Francesco
1721-1753
Julius Paulsen
Danish, 1860-1940 Danish painter. He studied at the Kongelige Akademi for de Skenne Kunster, Copenhagen (1879-82), but found the training there uninspired and soon attached himself to more radical artists such as Peder Severin Kreyer and Laurits Regner Tuxen. A turning-point in his career came in 1885 when, with Viggo Johansen, he went to Paris. On the way they visited Amsterdam, where the art of Rembrandt made a great impact on Paulsen; in Paris he showed interest in Courbet and Monet. From 1886 his time was shared between landscape, figure and portrait painting. His first landscape, From the Village of Ry (1886; Copenhagen, Hirschsprungske Saml.), is an early example of his personal blend of Romanticism and Symbolism; it shows a golden sunset colouring the houses and gardens of the small village. His View from the Harbour after Sunset (1891; Copenhagen, Hirschsprungske Saml.) has much in common with Monet, the Copenhagen skyline barely discernible through a deep blue and iridescent atmosphere. A later visit to Paris inspired such sunlit townscapes as Under Pont des Arts in Paris, Midday Sun (1919; Copenhagen, Stat. Mus. Kst), the shimmering, sketchy surface of which is dominated by fresh blues and greens; the painting incorporates a favourite Impressionist motif, the curved filigree of the iron bridge, which both frames the scene and lends it tension.
Simon Pietersz Verelst
(1644, The Hague - 1710, London), was a Dutch Golden Age painter. According to the RKD he was the son of Pieter Harmensz Verelst and became a pupil in the Confrerie Pictura at the same time as his brother Herman in 1663. In 1668 he moved to London and called himself "the God of Flowers", but is known for portraits as well as flower and fruit still life paintings.